Tom Hackett Shaggy Dog Stories Rufford


tom hackett sculpture

shaggy dog stories

the orangery

rufford park


NG22 9DF

An installation of 13 wheelbarrows containing yellow silicone rubber dog forms sited in the Orangery at Rufford Country Park. ‘shaggy dog stories’ follows on from a series of  ‘artist’ walks using the wheelbarrow dog as a conversation trigger. During these walks Hackett collected phrases and anecdotes from dog owners. These were assembled into a free artwork in the form of a tabloid newspaper ‘shaggy dog stories’,  The text composition is  tangential and fragmented rather than ‘straight’ journalism.

The dog forms are artificial in their coding, feeling designed and manufactured, and are an extension of Hackett’s on-going examination of the ‘futile purported paradox of the unique hand crafted versus the notion of the soulless repeated industrial form’. The combination of the actual readymade barrows and synthetic code of the ‘hand-made’ dog forms act as a foil for one another. This use of form as conversation trigger builds on Hackett’s integration of other collected texts and dialogue into his work. For him ‘the fact that social interaction takes place via a proxy form, is arguably of equal value as a process to the content of the dialogue itself’. The stories collected vary from the profound to the banal. As an artist he is intrigued by the notion of ‘common ground’ however tenuous as a basis for social togetherness in an oft messed up world. Hackett chooses to work with the everyday and commonplace to unearth and question many of the received truths that surround us. 

Also shown at Ruford was 'Specimen' an archival project, where Hackett took over the display cases of the Apsidal Gallery with an exhibition of fragments and relics from over twenty years of installation projects. Sculptural elements are re-configured with fragments of text, which mix facts, reflections and curiously incidental information. Laid out in the vitrines, the individual forms playfully allude to museology, taxonomy and forensic deconstruction. The accompanying in situ publication continued the spirit of ‘shaggy dog stories’ by mixing factual information with side stories which wander off piste and around the houses.